I intuit "input" from producers, studio executives, story consultants and the like, who found it their duty to dumb it down by cobbling together a conventional action climax. This film, in this way, from beginning to end, might have really amounted to something. There is a subtext of attraction between the soldier and the woman doctor (who goes through the entire film without thinking to button the top of her blouse), but it is wisely left as a subtext.
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It's all about the conflict between a trained professional soldier and his feelings. There are few words Willis scarcely has 100 in the first hour. Until it descends into mindless routine action in the climactic scenes, "Tears of the Sun" is essentially an impressionistic nightmare, directed by Antoine Fuqua, the director who emerged with the Denzel Washington cop picture " Training Day." His cinematographers, Mauro Fiore and Keith Solomon, create a visual world of black-green saturated wetness, often at night, in which characters swim in and out of view as the face of Willis remains their implacable focus point.
Hendricks is constantly telling Waters, "My people have to rest!" Presumably (a) her African patients from this district have some experience at walking long distances through the jungle, and (b) she knows they are being chased by certain death, and can do the math. It's a question of who can walk faster or hide better that's why it's annoying that Dr. Willis and his men must lead the doctor and her patients through the jungle to safety. Casting directors must spend a lot of time thinking about this. If we could fully understand how he does what he does, we would know a great deal about why some actors can carry a role that would destroy others. His face smeared with camouflage and glistening with rain, his features as shadowed as Marlon Brando's in " Apocalypse Now," he seems like a dark violent spirit sent to rescue them from one hell, only to lead them into another.
Later, when it is clear Willis' decision has placed his men and mission in jeopardy, one of his men asks, "Why'd you turn it around?" He replies: "When I figure that out, I'll let you know." And later: "It's been so long since I've done a good thing-the right thing." There are some actors who couldn't say that dialogue without risking laughter from the audience. They land, gather about 20 patients who are well enough to walk, and call for the helicopters to return.īut he has disobeyed direct orders, his superior will not risk the choppers, and they will all have to walk through the jungle to Cameroon to be rescued. He cannot quite meet the eyes of the woman, Dr. As the chopper circles back over the scene, they see areas already set afire by arriving rebel troops.